Tamara and I recently watched the entire run of the CBS-carried show Person of Interest, finishing last night. Despite ending nearly a decade ago, the show is surprisingly current, addressing the rise of "machine intelligence," pervasive surveillance, government (and government contractor) corruption and the morality of power.
Heavy stuff -- but carried along with no small amount of action and adventure, by a group of competent characters who will beat you at chess or in hand-to-hand combat. The series begins as one more entry in the "mysterious strangers help good people and stymie evil" genre, along the general lines of, say, The Pretender, Mission: Impossible, Quantum Leap, Have Gun Will Travel, Danger Man, The Avengers and so on: drama in the Gothic mode, with a clear conflict between good and evil, in which good triumphs just in time for the credits to roll, usually by the skin of its teeth.
That would have been more than enough to carry a TV series, but Person of Interest didn't stop there. A smart underlying concept and strong characters pushed it more and more along science-fictional lines, in a near-future, near-cyperpunk world of corrupt cops, honest cops, warring criminal gangs, computer geniuses, super-spy/assassins -- and a number of surprisingly human touches, throughlines of love and loss. From season to season, the story deepens, the bad guys get bigger and badder, and our small band of heroes rise to the occasion or die trying. There are Classical mappings to most good drama, and if you ever wondered what might happen if clever, lame Hephaestus; bold, handsome Apollo; wise, cryptic Pallas Athena; implacable Nemesis; Artemis the huntress; the Delphic Oracle and a gritty NYC police detective* faced off against Hera, Zeus and Hermes (with a small army of giants and Titans on their side, all answering to Colossus the Forbin Project), this is an answer, with enough side characters and conflicts left over to fill out any collection of ancient gods or a modern rogues' gallery.
This is a series well worth watching while it is still fiction. Don't wait too long.
_________________
* Even I can only strain a metaphor so far, though impulsive Ares is a not-unreasonable analog for Detective Lionel Fusco. But I will still argue that most ensemble-cast dramas (and not a few comedies) can be mapped onto the various pantheons of the past, for a very simple reason: our stories still deal in archetypes and in human emotion writ large. Good casting helps; the actors in Person of Interest were as varied as their characters, people of divergent inclinations and career paths who all brought something of themselves to their roles.
Update
1 year ago
