Tam and I went to see the film this afternoon. I'm not normally much of a big-screen person; with a 42" at home, why go rent a seat at preposterous prices when you can watch at home?
This movie, is why. I suppose the story could be told without 3-D, but not nearly as effectively; and this film makes the best use of 3D I have yet seen, including some unobtrusive but amazing-in-hindsight POV shifts.
I think it's the best SF film I have seen, period -- Tam argues it's not Science Fiction at all, "No more than The Hunt for Red October," which I think may yet contain a kernel of ambiguity.
Whatever. We agree it's a good movie. Are there some physics blips? Yep. Can continuity nits be picked? Barely. Thing is, no one has ever done it better, which is a helluva a trick for a film that includes the kind of deadly "meteor shower" rarely seen outside of B movies. Go. See. Your disbelief will remain suspended; the Soyuz interior is on-model, the Chinese spacecraft works (IIRC, they even got the Service Module right), the whole thing makes sense.
A downside for me was a blasting musical score that tended to oversell dramatic moments. Could be an artifact of the particular theater we saw the film at but for my taste, the music could have been 10 dB softer* compared to dialog and SFX or even largely eliminated and the film would still be at least as heart-grabbing.
Make no mistake, it will grab you and if you're a techie like me, you'll try to grab right back. I was actually physically on the edge of my seat at several points in the movie.
Gravity: worth your time and money.
* One-tenth as loud, that is.
T. R. MCELROY'S STREAMLINED TELEGRAPH KEYS
1 year ago