Radio formats have names -- not just the generic ones, like "Top 40," Beautiful Music" "AOR" or "Modern Country," either; the outfits what thunk 'em up give 'em nifty brand names, like Burkhart/Abrams "Super Stars," which is the original mass-market AOR format, or "Jack" which is supposed to be like loadin' up your $GENERIC DIGITAL MUSIC DEVICE with tunes and pluggin' it into the radio station.
So, on my $GDMD (which happens to be a pawn-shop iPod), there is a weird assortment of semi-easy-on-the-ears but somewhat skewed stuff -- from Concrete Blonde to Raymond Scott, mixmaster layerings of Herb Alpert and old-school rap (this actually works. Don't ask me why or how), lush Lori Line covers of soft pop, Zero 7, Ace Of Base, a piece of music hammered out of Dan Rather newscasts, the Ditty Bops, Donovan Leitch, Glen Miller, Steely Dan, Pink Martini and on and on; it actually works as background but it's a bit...h'mm. Day-Glo® plaid? But oh, brother, do I gotta name for it: ...Don't think I'll get many takers, though.
Update: Discovered there's a documentary in the works about the brilliantly inventive Raymond Scott! Kewlness.
T. R. MCELROY'S STREAMLINED TELEGRAPH KEYS
1 year ago